Its something that you practice, not something that you think about when youre playing.) Yes it ALL fits on the guitar just fine. I worked through all of this stuff when I studied with Barry (for about 5 years in the 80s, and then a couple more years to review in the early 90s).Īnd YES, if youre interested in playing authentic bebop phrasing (or really pretty much any jazz style) then understanding this stuff is pretty much the key (and by understanding I mean being able to play it upside-down, inside-out and backwards effortlessly). If you get into it,prepare to to be challenged to go deep ie: serious long term commitment to intense practice and study. Its application to guitar presents some fingering and adaptation issues but there is much to learn and explore.Īny text that covers any portion of the Barry Harris method will Im sure be of great value to the serious player.
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